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Lee Tracy |
BOOKS OF SENSE ©1995-2000 Edition of 1 A collection of cloth books presented as a translation derived from the senses and the notion that we know more than me think. Mixed medium and experimental methods of printing are collaged onto canvas pages. Each page has a quote and the text was embroidered for me by my mother, Kathleen Tracy. The books were aged in stream and are stored in 14"x 13"x 5.75" cloth covered box. DID YOU HEAR? 9 pages, 13"x 9" HAVE YOU SEEN? 10 pages, 10.5"x 11" IS IT SAID? 8 pages, 10"x 9.5" DID YOU HEAR? This is the place No one is lost You were born good The world will never end He will never leave you Sparks fly from you There is no stopping Nobodys got you You can lean further The sand sings How it repeats Each can be You can know things That you are over it You did the right things Freedom is in you It is time Not to listen HAVE YOU SEEN? That the earth moves perfectly The sun stays on Clouds form neatly waves splash on cue The wind pass over An awakening to touch Stars reflect the distance We are meant to travel light All things work Grace builds a way A vision of a path Together we share a day The universe spin around The doors in the ground How natural it is Tasks are adoring Space filled with glory Returning beauty Forever Time turns us around IS IT SAID? We were ready That this could be done What breaks is fixed Unity stirs giving Mends restore hearts Actions can move rocks The earth changes shape Long nights settle Light rests in the shade Life continues on We raise our tones Things happened all at once It is inspiring to hear A struggle worth enduring We become our very best It's something pleasing Read other book text here. | PAINTING 1991-1995 1996-2000 2001-2005 2006-2010 2011-2014 MINI-SERIES 1990 Peppers, Seeds, and Rotting Vegetables 1996 What I painted when I could not paint 2005 For the Birds 2007 Butterflies are free 2011 The Year The Permafrost Softened WORKS ON PAPER 1988-1989 Chairs 1989-1990 Umbrellas 1991-1998 1997 The Chase 1998 Dismantled Sketchbooks 1999 Ragdale Series 2000-2004 Collage Art 2002 Charcoal 2000-2004 Figure Drawing 2000-2005 Project Art 2000 Spinning Plates 2002 Fan Collages 2001 Screaming In Places Where I Can't Be heard 2004 Wonderscapes 2005-2006 The Story of the Universe 2008 Buddha Was Here 2009 Life On Hold (NFS) 2010-2016 The Demandments (NFS) MIXED MEDIUM 1995-1998 Sectioned panels 1997-1998 White Paintings and Furry Work 1998 Red Dot Series 2001-2009 Wax, Wire, Gold, Globe, and Glass 2001 How Things Pile Up 2002 Retablos, oil on metal OBJECT ART 2002-present Project Items Historic-present Fane Items 1550-1560 Ancestral Figure Drawings INSTALLATION 2002-2016 Paradise 2006 Negative to Positive 2007-present Four walls* 2008 Found 2010-present Teacups for Reading Tea Leaves 2011-present Waterworks* 2000-present My Crates PERFORMATIVE 2004 White Sands 2006 Blue Clouds LIBRARY OF BOOKS 2000-present Painting Inventory Book of Days Whitewash The Ragdale Book Brain Book Ransom Magazine Box of Tears Pocket Full of Cries Europe Mongolia Flower Book Retablos: How I Got From Here to Here The Fane Pamphlet Scroll of Influence The Story of Red Trees Red Trees History Red Trees Chronicle Red Trees Prayerbook Red Trees Kakemono Book of Leaves Elemental Communion Found: Journals from the future Symbol Book Books of Sense Organ Origin The Wedding Program The Wedding Book I Must Go Ladder Book* Book of Stairs* The Studio Visit Playbill* Flower Book 2* ...continued STUDIO PRACTICE Studio 1: Dayton and Blackhawk Studio 2: Hubbard and House Project scouting and on location Works in progress Exhibits, happenings, homes Studio clippings and announcements Artist WORLD RIVERS PROJECT overview World Rivers: Curtain World Rivers: Participants World Rivers: Rivers World Rivers: Cloth Visit the River Log TEXT ARCHIVE Artwork Installation Books * documentation is forthcoming This archive is a creative history spanning two decades. The documentation is comprised of many technological formats ranging from slides, 4x5s, photographs, and straddles the introduction of digital formatting of the time. The goal was to preserve images, whether high or low resolution. |
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Lee Tracy |
